“I am a fourth-generation tabla maker, running our family shop, Akbar Miya & Bros, in Hyderabad’s Old City, just opposite the Afzalgunj bus stand near the State Central Library.

My great-grandfather started this shop in early 1900s. He wanted the art of making and repairing tablas to never fade away. That wish was passed down to my grandfather, then to my father, and now it is my responsibility.

We learn this work by watching and practicing. First, we pick the right wood—usually teak for the bayan and tun and sheesham wood for the dayan. The wood is shaped by hand until it feels perfect. For the drum heads, we prepare layers of goat skin, stretch them, stitch them, and carefully attach them to the drum.

The black spot in the center is made in our workshop using a traditional method taught by my elders. It is very important for tuning and balance. Every step needs patience, because even a small mistake can change the sound.

Repairing a tabla is just as careful. When someone brings an old or broken drum, we remove the worn skin, replace it, and tighten the straps by hand. We keep checking the sound until it is just right.

Many renowned musicians have trusted us with their tablas over the years. We have never rushed our work. One well-made instrument is more important than many hurried ones.

The neighborhood has changed over time, but the work in this shop remains the same. As long as we do it with honesty, our great-grandfather’s dream continues.”

— Akbar Miya, Tabla Maker